Foucault’s Clay Feet: Ancient Greek Language Vases in Contemporary Theories of Intercourse

Foucault’s Clay Feet: Ancient Greek Language Vases in Contemporary Theories of Intercourse

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Although Michel Foucault never mentions the items explicitly, their focus on ancient greek language sexuality depends in critical aspects on proof from intercourse scenes on ancient Greek pottery. The importance associated with pictures comes to your fore in their argument regarding the radical distinction regarding the gender-blind ethics of desire in Greek antiquity through the gender-based norms of modernity. Within the overarching narrative of their multi-volume genealogy of contemporary sex, the alterity of Greece underlines his broader contention concerning the discursive foundation of sexual experience. This informative article confronts the historiographical biases that led Foucault to dismiss the product nature of their sources and explores the implications this silence spelled for their successors. Its argument evolves round the disciplinary instruments which scholars use to contain three-dimensional items inside the bounds of spoken description. Two-dimensional copies, in specific, enable historians to separate vase pictures from their contexts of consumption and redeploy them strategically to guide unrelated arguments. Continue reading “Foucault’s Clay Feet: Ancient Greek Language Vases in Contemporary Theories of Intercourse”